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“Fearless and Free,” recorded between 1926 and 1949, is full of heroism, glamour, righteous anger — and things you wish you could unsee.

In “Feast While You Can,” two women who have long been nemeses rely on each other to face an ancient terror that has re-emerged.

Misery makes for good company in Shalom Auslander’s second memoir, which finds him self-deprecating, drug-dabbling, envious and, oy, middle-aged.

In “Ferris,” a girl and her grandmother are visited by a friendly ghost; in Erin Entrada Kelly’s “The First State of Being,” a boy is visited by a time traveler.

Toby Lloyd centers religion and politics in his novel, “Fervor,” but with a light, mystical touch.

In “Fi,” Alexandra Fuller describes the sudden death of her 21-year-old.

As recounted in Jennet Conant’s biography, Marguerite Higgins played the high-stakes game of journalism in a man’s world.

An experiment in digital disengagement prompts Kyle Chayka to consider how technology has narrowed our choices and dulled the culture.

In “Fire Exit,” a white man raised on a reservation wrestles with whether he should reveal to his daughter the complications of her heritage.

In “Fire Exit,” a white man raised on a reservation wrestles with whether he should reveal to his daughter the complications of her heritage.