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In her new memoir, “Exit Interview,” Kristi Coulter details her time working at the company, connecting her experience to the larger history of women’s employment struggles.

The stories in Marie-Helene Bertino’s new collection, “Exit Zero,” frolic in the nether zone between fantasy and reality.

Taylor Lorenz’s “Extremely Online” charts the internet phenomena that have shaped the 21st century, focusing not on the platforms but on the users.

In her perceptive cultural history, “Eyeliner,” Zahra Hankir shows that liquid versus pencil is only the beginning.

Louise Hegarty’s novel, “Fair Play,” nods to classic 1920s detective fiction, with a twist.

Paul Thomas Murphy’s “Falling Rocket” focuses on the explosive trial that divided the London art world.

Jean Strouse’s brisk, wise “Family Romance” takes on the painter’s relationship to the Wertheimers, a vast Jewish clan he immortalized on canvas.

In “Fat Leonard,” Craig Whitlock investigates one of the worst corruption scandals in U.S. military history.

Jonathan Raban’s “Father and Son” is a memoir of illness and recovery paired with a parental history.

“Fear Is Just a Word,” by the New York Times reporter Azam Ahmed, tells the story of a woman determined to avenge her daughter’s death at the hands of a drug cartel.