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Karla Cornejo Villavicencio’s fiction debut, “Catalina,” brings readers into the life and struggles of a blue-collar brainiac from Ecuador.

In “Catland,” Kathryn Hughes has a theory about our obsession with our feline friends — and one cat lover in particular.

In “Catland,” Kathryn Hughes has a theory about our obsession with our feline friends — and one cat lover in particular.

In “Cerebral Entanglements,” Allan J. Hamilton argues that new imaging technologies give us unprecedented access — with revolutionary implications.

As recounted in Adam Higginbotham’s “Challenger,” the 1986 tragedy that riveted a nation was a preventable lesson in hubris and human error.

“Change,” Édouard Louis’s latest work of autofiction, retraces his trajectory from abject poverty to life as a cultured Parisian.

In “Changing My Mind,” the novelist Julian Barnes presents an argument for the joys of flexibility.

Keith O’Brien’s “Charlie Hustle” tracks the great ballplayer’s historic career and also tells a story involving gamblers, gangsters and drug addicts.

In Natalie Dykstra’s hands, the life of Isabella Stewart Gardner is a tribute to the power of art.

“Chasing Bright Medusas,” a new biography by Benjamin Taylor, aims not to uncover new facts but to provide a concise introduction to the novelist.