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The French novel that was adapted into “Vertigo”; Cameron Crowe’s nonfiction account of a year inside a public high school.

“We are a literary city”: Will Evans started saying it in 2013, when he started the publisher Deep Vellum. Alongside the bookstore Wild Detectives and others, they’ve put Dallas on the literary map.

The 33-year-old librarian from California has become popular on TikTok and Instagram with his upbeat take on libraries.

After years of this-and-that jobs, Janice Hallett began to write a novel: “What do I have to lose?” Now a widely celebrated voice in crime fiction, she just launched her fifth book, “The Examiner.”

In her memoir, “Pets and the City,” Amy Attas reflects on three decades of caring for animals (and, by extension, humans) right in their own homes.

He turned “an insignificant trade house” into a powerhouse, publishing best sellers like “The Silence of the Lambs” and “All Creatures Great and Small.”

His father, Norman Rockwell, depicted his childhood on covers of The Saturday Evening Post. The worms came later.

Genevieve Kingston, Susan Lieu and Kao Kalia Yang explore the complicated lives of the women who raised them.

In Monica Wood’s rich new novel, “How to Read a Book,” death, prison and poetry become the catalyst for new beginnings.

Three new books make the case for music as medicine. In “The Schubert Treatment,” the most lyrical of the trio, a cellist takes us bedside with the sick and the dying.