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In Mason Coile’s new horror novel, “William,” an intelligent robot begins to lead its feckless creator to terrible places in the name of “freedom.”

In “Winston and the Windsors,” the prolific biographer Andrew Morton, perhaps inevitably, tackles two British behemoths.

Grady Hendrix’s new novel, “Witchcraft for Wayward Girls,” is a timely look at the mistreatment of women, with a dose of horror, monsters and magic.

In “With Darkness Came Stars,” the photorealist Audrey Flack offers a vivid, gossipy chronicle of her career among some of New York City’s most famous artists.

In his unsparing novel “Wolf at the Table,” Adam Rapp observes a household in denial about the dark force growing up in its midst.

Tracy O’Neill’s memoir, “Woman of Interest,” recounts her yearlong quest, which culminates in a trip to Korea.

In a chronicle laced with memoir, Nancy A. Nichols explores how the automobile has provided both freedom and dangers for female motorists.

In “Women in the Valley of the Kings,” Kathleen Sheppard introduces us to a group of 19th-century archaeologists who changed the field forever.

Daniel M. Lavery’s debut novel collects vignettes from inside the Biedermeier, a second-rate, rapidly waning establishment in midcentury New York City.

In Ella Baxter’s novel “Woo Woo,” a feminist performance artist starts to question herself on the eve of a provocative solo exhibition.