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In “The Fisherman’s Gift,” a man finds a lost child on a Scottish beach after a storm, a discovery that unlocks a town’s suppressed drama.

In “The Flower Bearers,” Rachel Eliza Griffiths addresses her starry, tragedy-marred marriage but also a life steeped in art, poetry and deep friendships.

The author of “I Love Dick” returns with a novel that combines autobiography and true crime.

“The Freaks Came Out to Write” is an oral history of America’s most important alternative weekly.

In his memoir “The Friday Afternoon Club,” the Hollywood hyphenate Griffin Dunne, best known for his role in Martin Scorsese’s “After Hours,” recounts his privileged upbringing.

More than 25 years later, the pen of another name meets a new generation of wordsmiths.

In Rob Copeland’s “The Fund,” we learn about the notorious hedge-fund giant Ray Dalio — and the manipulative professional hellscape over which he has presided.

Wenyan Lu’s novel, “The Funeral Cryer,” explores a Chinese tradition through a modern, more personal lens.

In “The Furies,” the journalist Elizabeth Flock reports the stories of three women who fought back — to defend themselves, other women or their people.

Adam Thirlwell’s “The Future Future” follows a 19-year-old socialite through a prerevolutionary Paris that looks suspiciously like our present day.