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Elon Musk thinks a free market of ideas will self-correct. Liberals want to regulate it. Both are missing a deeper predicament.

As the founder of Woman’s Art Journal and the author of influential textbooks, she documented the work of many accomplished artists who had been ignored.

The author of “Funny Story” churned out five consecutive No. 1 best-sellers without leaving her comfort zone. How did she pull it off?

“I don’t want other people to miss out on the wisdom and joy this genre has to offer, the way I did for so long,” says the best-selling novelist. “Funny Story,” about a heartsore librarian and the new man in her life, is out next week.

He led a movement that rejected historiography’s traditional emphasis on great events and leaders in favor of mining the “mental universe” of peasants, merchants and clergymen.

The author of “The Note” traces her “real obsession” to discovering “a slew of smart, gritty female sleuths who began to feel like friends.”

Young people, especially, are choosing to read in English even if it is not their first language because they want the covers, and the titles, to match what they see on TikTok and other social media.

Anna Shechtman’s new memoir-history hybrid, “The Riddles of the Sphinx,” explores the gender politics behind one of the world’s most popular word games.

He elevated many of France’s most provocative writers through his publishing house, La Fabrique, but he made his greatest mark as a politically engaged, and strolling, historian of Paris.

With its feminist take on sexual pleasure, Erica Jong’s novel caused a sensation in 1973. But the revolution Jong promoted never came to pass.