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In his novel “States of Emergency,” Chris Knapp doesn’t just tighten the distance between our inner lives and the world around us; he erases it.

In Katherine Packert Burke’s debut novel, a woman is haunted by change while grappling with the death of a friend.

In “Stolen Pride,” Arlie Russell Hochschild explores the emotional lives of Americans who vote for Donald Trump.

In Charlotte Wood’s novel “Stone Yard Devotional,” an atheist burrows into herself while staying in a convent, and contemplates how to live without causing harm.

Kristen Arnett’s new novel, “Stop Me if You’ve Heard This One,” follows a woman grappling with grief and love while pursuing her true passion: clowning.

In a new book, the journalist and science fiction writer Annalee Newitz shows how we have used narrative to manipulate and coerce.

In a new book, the journalist and science fiction writer Annalee Newitz shows how we have used narrative to manipulate and coerce.

Leo Damrosch traces the life of an imperialist turned anti-imperialist who wrote several exceptional books and one groundbreaking masterpiece.

In “Stranger Than Fiction,” Edwin Frank maps a path from Dostoyevsky to Sebald, finding mystical power and surprising ties among 20th-century writers.

In “Strangers in the Land,” Michael Luo tells the story of the Chinese workers lured to the United States and expelled when 19th-century politicians turned against them.