“They are meaningful books for my children, but I haven’t read them,” says the novelist and story writer, whose new book is the collection “Wednesday’s Child.”
“I have music and rhythm to help me get my point across,” says the singer and songwriter, whose new memoir is “Talking to My Angels.” “But real poets do it all just with the language and the lines. That’s a gift.”
Cormac McCarthy’s “The Road” got to her: “Sure, it’s a novel full of unbelievable violence and apocalyptic nightmare stuff,” says the best-selling author of “Wonder,” “Pony” and “White Bird,” soon to be a feature film. “But the humanity and love is
“I love great character growth and fresh plots that involve some sort of social justice,” says the author of the spy novel “Undercover Latina” and other thrillers. “However, if there’s too much violence or threatened violence against women or
“My thinking is that reading will focus my mind, bring a hush over the chaos of the day so I can drift off,” says the author of the memoir “Educated,” one of the Book Review’s 10 Best Books of 2018. “But from time to time a book takes hold in that
“When you become a writer, you inevitably lose your innocence as a reader,” says the Pulitzer-winning novelist, whose new book is “Somebody’s Fool.” “It’s like being given the underground tour of Disney World. Some of the magic dissipates.”
“I regret that I never met Hilary Mantel,” says the Booker-winning Scottish novelist, whose most recent book, “Young Mungo,” is now out in paperback. “I would be delighted with three of her.”